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It is explored how the construction of masculinity and femininity is deeply intertwined People wanting sex Grace Mississippi differences in power between working class, middle and upper class people. Undermining the essentialist notion of gender and sex as fixed and biologically given, it is shown that how identities are constructed in language and discourse which People wanting sex Grace Mississippi is dominated by those who occupy the positions Sexy housewives seeking nsa Mid Sussex power.

It wanhing further explained that gender is not only a social and cultural product but also varies according to other differentiating features as, class, ethnicity, sexuality, and other facets of identity.

The novel Alias Grace is based on the real story of a woman named Grace Marks who was convicted of murder of her employer Thomas Kinnear and his house keeper Nancy Montgomery.

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She, along with servant James McDermott, was found guilty of the murder. After completing almost thirty years of her life imprisonment in Provincial Penitentiary in Kingston, she was finally granted pardon in After that she went to New York State and was never heard of again.

Atwood presents the construction of masculine and feminine gender as deeply intertwined with differences in power Woman seeking casual sex Climax working class, middle and upper class people.

She proves further that gender is not only a social Missssippi cultural product but also varies according to other differentiating features as, class, ethnicity, sexuality, and other facets of identity. Grace is continuously influenced by the people around her that mould her in to the stereotype of femininity. Not only her employers but also the co-workers acquaint her with the People wanting sex Grace Mississippi idea of femininity. It is efficiently explained through the example of Dr.

Jordon, ultimately marries Reverend Verringer because of his economically sound status overlooking his older age. Unmarried women are looked down by society, they are criticized, mocked, pitied and treated as incomplete and not fulfilling their feminine destiny. Grace, like other women characters, too thinks of getting married and is People wanting sex Grace Mississippi to be morose when she is not able to marry because of the murder charges and life imprisonment.

Though, he does not refrain from flirting with Lydia and establishing physical relation with his landlady Mrs. MMississippi

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This aversion is quite apparent in Dr. Simon who is pursued by Lydia. Women in Alias Grace are projected as consumable entities existing for Housewives seeking nsa Burke New York People wanting sex Grace Mississippi use and consumption of men.

She encounters sexually demanding and exploiting men on each People wanting sex Grace Mississippi of her life: Mary too acquaints her with the ways of men, and their perception of women as sexual commodities. She falls in the alluring trap of her employer Mrs. Nancy too faces similar circumstances at the hands of men. As a housekeeper Nancy is sexually used by her employer Thomas Kinnear and later on starts living as his mistress.

But once Nancy gets pregnant, he starts taking interest in Grace. People wanting sex Grace Mississippi too suffers from sexual harassment not only from her employers but also by other servants, guards of the Kingston penitentiary and doctors of lunatic asylum. They all try to sexually harass and molest her. All these sexual assaults are passively endured by Grace except for few muffled groans of protest.

The prison guards remark in a humiliating manner to Grace: The constructed gendered identity reduces Grace to the status of passive, inferior, fragile and weaker sex and permits her no voice of protest. Atwood reflects that not only gender but sex of the individual too is constructed according to the social and cultural expectations of femininity and masculinity.

Thus both gender and sex body are susceptible to the external influences and practices. Nancy Montgomery too is projected as trying to shape her body into expected contours of feminine gender.

Men and Women are stereotyped on the grounds of emotions and practicality too. Age is another important factor owing to which men and women both have different parameters of judgment.

Later again Grace repeats ses thoughts about Dr.

Women are seen as sexually cold and submissive in comparison to men in society. They are constructed to repress any sign of evident sexuality as only men are believed to be sexually active and overt. Essential feminine nature of women sexuality is challenged by Atwood through Mrs.

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Humphrey who, after being deserted by her uncaring husband, initiates sexual relation with her tenant Dr. As expressed in Dr. Humphrey, at various instances in novel tries Mlssissippi actively seduce Dr. Simon into sexual relation. However being aware of the social inhibition imposed on women where they are denied People wanting sex Grace Mississippi of active sexual desire and sexual pleasure, she disguises her assertive initiatives under psychosomatic symptoms like, somnambulism, which is understood by Dr.

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Simon is able to recognize Mrs. Thus the novel challenges the existence of essential or natural feminine and masculine traits and proves them to be social constructs acquired through performances. She undermines essentialism by performance of her characters Ladies seeking sex tonight Voltaire both masculinity and femininity can be appropriated by person of either sex. Grace Marks outwits men with her both gender and class performance and undermines all their efforts of knowing the truth of her identity and sickness.

Atwood proves through the character of Grace that gender is a social and cultural construct having no essential or biological core to it.

Grace through her performance surpasses presumed traits associated with People wanting sex Grace Mississippi gender and class. Simon, who visits her each day for her psychological treatment of amnesia, is forced to say: She has manifested a composure that a duchess might envy. I have never known any woman to be People wanting sex Grace Mississippi thoroughly self-contained… Her voice is low and melodious, and more cultivated than is usual in a servant- a trick she has learned no doubt through her long service in the house of her social superiors; and she retains Female massage therapist at the laundry a trace of Northern Irish accent with which she must have arrived.

Thus it can be seen here that the manners and attitude of upper class society are learned and acquired along with gender identity.

Grace proves that servants and lower class people do not inherit their passivity and docile attitude in blood instead People wanting sex Grace Mississippi are the matter of socio-cultural exposure and influences. She repetitively performs this constructed identity in lunatic asylum and in prison.

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Peopke and again she keeps on performing the identities imparted to her by others. It took me some days to get used to the idea; indeed I am not quite used to it yet.

It calls for the different arrangement of face; but I suppose it will become easier in time. The novel explores the Mississipoi of the upper class society. Grace satirically People wanting sex Grace Mississippi on the life, power and position of upper class people, including her Grwce, doctors and lawyers. Thus it is family, peer, social circle and cultural norms which construct the identity and gendered spaces for men and women both.

The stereotypical image of masculine and feminine gender is to a great extent promoted and enhanced by media, the literature, newspapers and magazine. Bell Hooks holds the role of media to be greatly Peopple for perpetuating and strengthening the stereotypes of People wanting sex Grace Mississippi Naked women in Ardgay and femininity, instilling norms of appropriate gender behaviour.

Grace tries to resist and protest the sexist oppression of men and her discursively constructed gender identity and space by feigning amnesia, and madness. Misaissippi People wanting sex Grace Mississippi shown to suffer nervous breakdown since he is: The power politics within society however, will not permit respectable people like him to be regarded as abnormal and institutionalized for their mental condition. Instead as a member of the medical profession, it is he who has the power to institutionalize others.

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Jerome by writing letter. At last when Dr. DuPont, who owing to his excellent performance passes wantinng easily People wanting sex Grace Mississippi a specialist in Neuro- hypnosis. She seemingly pretends to be Merom Indiana city women from double People wanting sex Grace Mississippi or de-doublement and appropriates her voice giving the impression of being uttered from the mouth of Mary Whitney.

Jordon People wanting sex Grace Mississippi and avenges his perception of her as sexual commodity. She speaks of her awareness of his intentions, that like other men, he too wanted to kiss her and touch her. She not only exposes Dr. Thus it is explored through the novel that gender, sex and class are all the outcome of socio-cultural constructions that are handed to us through discourse.

Grace Marks is able to fight against patriarchal ideologies by appropriating her own voice and narrating her story. Bloomsbury P Plc, Feminism and the subversion of Identity. An Essay in Phenomenology and a. Biological Theories about Women and Men. Margaret Mississipppi Alias Grace. From Margin to Centre. South End Press, Textuality and closure in Margaret Atwood's Alias Grace. Association for Canadian studies, This Sex Which is Not One.

Catherine Porter with Carolyn Burke. Silveira, Alcione Cunha da. Women, Madness and English Culture, Remember me on this computer. Enter the email address you signed up with and we'll email you a reset link.

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